John Doyle
The Globe and Mail
Published on Friday, Jun. 25, 2010
This is how it is here. See, the soundtrack in The Football Factory is reggae. Strictly so. If the game isn’t on – and games can be from any number of countries, most of the year – the music is reggae. It’s the way it is. Owner’s choice. Roots reggae. Pop reggae. Obscure, hard-thumping surreal reggae of the serious drugs variety. You notice it, and then you don’t.
It’s late Thursday afternoon, a day of warmth and dappled sunshine in Toronto. A group of young Japanese women are in the Factory, finishing their pints. They’ve had a few. And they are all slight, chic figures, looking just a little absurd waving their big pint glasses with their slim wrists. They clink them together, giggling. They are a little tipsy, and happy as the day is long. Behind them, on the wall, is a giant poster they probably don’t even notice. But I do. It features Bob Marley, toying with a soccer ball, over and over, in frame after frame. And it declares Marley’s famous phrase: “Football is part of I. When I play, the world wakes up around me.” Continue reading